February 17, 2017 — “The Embers” by Vagabon

Lætitia Tamko of Vagabon

Lætitia Tamko of Vagabon

If you only listen to one song today, make it “The Embers” by Vagabon (2017, from the forthcoming album Infinite Worlds).

Vagabon is a lo-fi indie rock/punk/folk recording project for the NYC-based singer/multi-instrumentalist Lætitia Tamko. She was born in Cameroon, and her family moved to New York when she was thirteen. At age 17, she taught herself to play on a guitar that her parents bought at Costco. Years later, when she was off at college, she would tell her parents that she spent every weekend holed up in the library, when in reality, she was out every weekend night playing shows in small clubs. Eventually, at one of those shows, she was approached by the founder of Miscreant Records, who wanted to release a record for her.
That record was the Persian Garden EP, which was released in November of 2014 and has been out of print for a long time. Some of the songs from that release, including today’s song, have been reworked and renamed for the forthcoming debut long player Infinite Worlds. That record will be released next Friday, February 24 by Father/Daughter Records.

While Tamko does a lot of the heavy lifting on the album, she has a full backing band and there are a few guest vocalists on the album including Greta Kline, who is also known as Frankie Cosmos.

“Cold Apartment”, from the forthcoming album reminds me a lot of Torres. It’s just a reworked version of a song called “Cold Apartment Floors” from Persian Garden. Similarly, today’s song is a reworked version of a song called “Sharks” from Persian Garden.

“The Embers” by Vagabon

I love the rawness of it. Although it wasn’t recorded in a bedroom, it has that feel to it. It starts with just her voice and a muted guitar, but by the end of the big chorus, it’s a cacophonous lo-fi buzz.

It’s impossible to write about Vagabon without mentioning two things. One is the opening lyric in today’s song:

I feel so small
My feet can barely touch the floor
On the bus where everybody is tall

The whole theme of the song is feeling small. Not just in stature but “small” in the grand scheme. Insignificant. I think it’s a running theme throughout many of the songs.

Run and tell everybody Lætitia is a small fish
I’m just a small fish
You’re a shark that hates everything
You’re a shark that eats every fish

The other thing that’s impossible not to write about is that she’s not just a black woman, but an African black woman in the world of indie rock and freak-folk, which is a world inhabited almost exclusively by white people. Although being a Cameroonian partially defines who she is as a person, she doesn’t necessarily want her skin colour or the continent where she was born to be part of how she’s described as a musician. She told the Village Voice about this:

I struggle with wanting to just make music and do my thing and not have a face, but I also want to be visible

.

That EP back in 2014 got lots of good reviews and the forthcoming full length record has been eagerly anticipated. If I’m honest, though, I didn’t know about Vagabon until I got something in the mailbag early this morning. You can stream the whole album via NPR First Listen here. I’ve listened to most of it, and I really like it. I’ve listened to today’s song a bunch of times already, and I can’t get enough.

The album comes out next Friday, and you can pre-order it via Father/Daughter in your choice of formats here.

Also, for extra credit, here’s a video for the song:

About dlee

North Carolina born and bred. I'm a restaurant guy who spends free time listening to music, watching hockey and playing Scrabble. I have a bachelor's degree in political science and I will most likely never put it to use. View all posts by dlee

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