Hiccup is a pop-punk/indie rock/garage rock trio from Brooklyn. They released a self-titled EP in 2015, and they’re set to release their debut album via Father/Daughter Records on March 24.
Hallie Bulleit (bass/vocals) and Alex Clute (guitar/vocals) met when they were hired as the house band on The Chris Gethard show, which started out on late night public access TV in NYC, then made it to cable, and is now part of the Funny or Die family. For that show, they wrote silly, poppy, punky 30-seconds songs that never saw the light of day. They decided that they wanted to record some real songs, and they recruited Piyal Basu (drums) to round out the band. The three are huge fans of The Ramones, and claim to be influenced by the likes of The Smoking Popes, Superchunk, and Jawbreaker.
It’s worth mentioning that Bulleit has been in a couple of other bands, but she’s also an actress, percussionist and aerialist with some real chops. On Broadway, she’s been in Stomp, Fuerza Bruta, and Rent. She also was in a Los Angeles production of Rent alongside Neil Patrick Harris.
I got something in the mailbag a couple of weeks ago that was specifically about a different Hiccup song, but I starred the email and put a sticky note on my laptop to write about them “soon”. I liked the video for that song (“Lady Macbeth & Miss Havisham”), and I’ve really been loving the output from Father/Daughter Records lately, so I knew it was a winner. Last night, when I was looking for other stuff, I happened upon the video for tonight’s song, and I liked it and the song so much that I felt some more urgency to write about them.
I haven’t heard the whole album yet, but I love the two songs that I have heard, and I’m looking forward to the March 24 release of their debut album.
Tonight’s song brings to my mind what might happen if Superchunk did a raucous set of Neutral Milk Hotel covers.
This is that song:
“Teasin'” by Hiccup
It’s just a fast and gritty power pop song. It’s all blood, sweat and beer. It’s got great hooks, and really love that middle eight section from 1:26 to 1:36 where it’s just the guitar, and it’s a bit calmer and all muffled. The chorus kicks back in and hell breaks loose again. At least for one more minute.
The video is a bit of fun. A little bit “performance”, but mainly it seems to be about the drudgery of office jobs. Here’s that video:
The album will be out on March 24. You can pre-order physical copies here. There are two different pressings of vinyl. One on “mustard yellow/aqua blue”, and one on translucent “piss yellow”. There’s also a CD version and a digital download version.