The band’s third album Pygmalion came out in 1995, and fans were somewhat confused. It wasn’t shoegaze. It wasn’t dream pop. It was a spacey, experimental piece that sounded very little like the Slowdive that I loved. That record has a lot of negative space and a lot of really really slow-burning stuff. I never really cottoned to that record, but I thought that it might just be a weird bump in their road. Again, nobody knew it at the time, but they were pretty much done at that point. They didn’t tour with that record, and it was soon announced that the band had been dropped by Creation Records. Britpop was king, and while some bands would adapt with the changing landscape, they didn’t. It would also later come out that Rachel had suffered some significant hearing loss and couldn’t really play loud music anymore.
The folky Mojave 3 rose from the ashes of Slowdive, and that band featured Rachel Goswell, Neil Halstead, and Ian McCutcheon all out of Slowdive. I liked that band a lot, and I did get to see them twice, but I always lamented the fact that I never saw Slowdive.
A couple of years ago, the band announced that they were reforming for some festival shows. And then the huge news came out that they would put out a new album and go on a proper tour. When the first batch of US dates was announced, the closest gig was in DC. Later, to my complete delight, they announced a Cat’s Cradle show, which would be their first time playing in North Carolina as Slowdive.
The new eponymous album came out last Friday, and I finally got to see them last night. It was everything I was hoping for and then some.They played a good mix of new songs and stuff from the other three albums. To be honest, I was expecting a set heavy with new songs and Souvlaki stuff. As it turns out, they only played three of the new songs. I was really anticipating my favorite songs from Souvlaki, though: “Alison”, “When the Sun Hits”, “Souvlaki Space Station”. I was pleased with all of those, although I thought “When the Sun Hits” sounded a bit muddy. They also played “40 Days” as the last song of the encore. After there were some difficulties with the PA system, they decided to play on, and pretty much did it through their monitors.
They also played a Slowdive show mainstay in their cover of the Syd Barrett song “Golden Hair” as the last song of the main set. I’ve seen videos of them performing that song, and I had high expectations. They were certainly met last night.All of that was great, but the highlight of the night was something that came as a complete surprise to me. Early in the set, they
There were, admittedly, a few hiccups during the show, and there was a problem with the PA going in and out towards the end of the show, but I thought it was a brilliant night.
I also must admit that I did not enjoy the opening set by The Casket Girls. Their 2014 album True Love Kills the Fairy Tale was my favourite album of that year. Number one. I’ve really liked all of their albums, but I had heard many times that they aren’t as good live as they are on record. That turned out to be true. There was a lot of disharmony in their voices and some of their choreography was goofy. They also played about two songs too many.
For other parts of this US tour, Slowdive had Japanese Breakfast as their special guest, and I would have loved to have seen them. But the reality is that we were all there for one reason and one reason only: Slowdive.
I loved the show, and I’m really glad that I finally got to check them off my list.