Spectres is a shoegaze/noise pop quartet from Bristol. It’s often said that Spectres sounds very much like a mix of Psychocandy-era JAMC and the early 90s-era Sonic Youth, with a little A Place to Bury Strangers mixed in. They should not be confused with the Vancouver post-punk five piece of the same name.
Their 2015 debut long player Dying was a massive success for them. The album was very eagerly anticipated by the UK noise/gaze community, and multiple pressings of that record in both vinyl and CD format sold out as fast as they came off the production line. The new album, which came out on March 10 via Sonic Cathedral, was also eagerly anticipated by fans. So far, the press has given the album warm reviews, but these guys care more about what the fans think than what the press thinks.
I haven’t given the entire album a thorough listen, but what I have heard is exactly what I was expecting. Unrelenting noise with occasional bursts of discernible melodies. It’s heavy, sweaty, smokey, and dark. It’s meant to be played very loudly.
There are bits on this new album that swing very close to the Sonic Youth side of their equation, but today’s song is closer to APTBS. This is that song:
“Welcoming The Flowers” by Spectres
Right out of the gate, it’s unapologetic about how loud it is. It’s jarring, and the intro sounds almost like some Japanese black metal band. It shifts gears a little at around 0:12, and there’s a lot more feedback and squelch and other “noise” added. Then when the vocals come in, there’s another tiny gear shift. It maintains its insane noise level by using a lot more drone-y fuzz.
I really like this, but because of the noise factor, it’s one of those things that’s not conducive to consecutive plays and replays. You’ll definitely need a break after listening to this album. That said, you should get the album, and you can do so by visiting these Sonic Cathedral links:
Condition on vinyl