Our favorite albums of 2015 (part 9)

Today, we’ll continue the countdown of my favorite albums of 2015. It was a ridiculously good year for new releases, and before I could even start the countdown, I named 25 honorable mentions. So far, we’ve counted down from 50 to 11, and today we’ll go from 10 down to 6.

Just to recap, the list of honorable mentions is here.

So far, the list from 50 down to 11 looks like so:
50)Lower Dens — Escape From Evil
49)Girl Band — Holding Hands With Jamie
48)Creepoid — Cemetery Highrise Slum
47)Thayer Sarrano — Shaky
46)Rachel Grimes — The Clearing
45)Stolen Jars — Kept
44)Hey Anna — Run Koko
43)Speedy Ortiz — Foil Deer
42)Marriages — Salome
41)Haiku Salut — Etch and Etch Deep
40)The Harrow — Silhouettes
39)Casket Girls — The Piano Album
38)Spectres — Dying
37)Eternal Summers — Gold and Stone
36)Esmerine — Lost Voices
35)Diverting Duo — Desire
34)Viet Cong — Viet Cong
33)astrobrite — Deluxer
32)Noveller — Fantastic Planet
31)Godspeed You! Black Emperor — Asunder, Sweet and Other Distress
30)Long Beard — Sleepwalker
29)Hamsas XIII — Encompass
28)Westkust — Last Forever
27)Hop Along — Painted Shut
26)Lanterns On The Lake — Beings
25)Violent Mae — Kid
24)The Black Ryder — The Door Behind The Door
23)Moon King — Secret Life
22)The Soft Moon — Deeper
21)Trementina — Almost Reach the Sun
20)Beach House — Thank Your Lucky Stars
19)No Joy — More Faithful
18)Torres — Sprinter
17)Mount Eerie — Sauna
16)Shana Falana — Set Your Lightning Fire Free
15)Eskimeaux — O.K.
14)Ringo Deathstarr — Pure Mood
13)Pinkshinyultrablast — Everything Else Matters
12)SOAK — Before We Forgot How To Dream
11)Thrushes — Exposing Seas

As the countdown continues, remember to click on album art to go to where you can buy that album.

A Place to Bury Strangers — Transfixiation

10)A Place To Bury Strangers — Transfixiation
This is the fourth album from the Brooklyn noise rock/shoegaze/post-punk quartet who are often called “New York’s loudest band”. Indeed. When you see them live, you’ll need to reboot after the show. Maybe drive home in silence. Even when you listen to APTBS records, you’ll need a sensory break afterwards. This record is certainly no different. As the story goes, even the band themselves had to take a brief hiatus during the recording of this album. Yes, this is about noise and gadgetry. Yes, this is pitch dark. Yes, this is really difficult for a lot of people to digest. This is music that most people hate. The album has gotten mostly lukewarm or even unfavorable reviews, but Oliver Ackerman et al aren’t making music for Pitchfork’s benefit. They know who their fans are, and they know that Ian Cohen isn’t one of them.
If you’re not afraid of some noise and some darkness and some misery, this is a beautiful album that you will definitely need a break from after you’ve listened.

Briana Marela — All Around Us

9)Briana Marela — All Around Us
This is the third album by the Seattle experimental ambient pop singer/songwriter. Her first two albums were self-released, but she joined the Jagjaguwar family for this album. In a separate development, she joined forces with Alex Somers, who has produced records for Sigur Rós. So she’s got better production, she’s got label support, and she had a significant tour to support the new album, which came out on August 21. Because of her sweet voice of an angel-child, she’s compared to the late Trish Keenan out of Broadcast, and to Jessie Stein out of The Luyas. As much as I like both of those bands and both of those singers, I like this even more. Again, this was an album that wasn’t really all that well-received by critics, but I love it.

Beach House — Depression Cherry

8)Beach House — Depression Cherry
This is the fifth album from the Baltimore dream pop duo and the first of two albums they released in 2015. The songs from Depression Cherry and the songs from Thank Your Lucky Stars were recorded during the same sessions, but they promise that they aren’t companion albums and that Thank Your Lucky Stars isn’t a “b-side album”. They swear that Thank Your Lucky Stars isn’t the Amnesiac to Depression Cherry‘s Kid A, but despite their protestations, fans and critics will always refer to the two 2015 albums as companion albums or sister albums or whatever. I love this band, and I think that they can do no wrong. You’ll remember seeing Thank Your Lucky Stars at 20 on the countdown. I obviously like this one a little more.

Bully — Feels Like

7)Bully — Feels Like
This is the debut album by the Nashville post-grunge quartet. There’s a lot of reasons to like this band, and most of it has to do with frontwoman Alicia Bognanno. Her story, her charisma, her badass-ness. However, I always like to point out that the drummer in this band is named Stewart Copeland. A drummer named Stewart Copeland, but not that drummer named Stewart Copeland. As far as I know, that’s his real name. Aside from all the personal backstories, this is just a really good band who put out a remarkable debut. Bognanno won’t be able to do the things that she’s doing to her voice for very long (just ask Bob Mould), but for now, it sure is fun to hear her belt this shit out.
The band came to Hopscotch this year, and I had them very high on my list. Unfortunately, the venue they were in was over capacity, and since nobody was leaving, I wouldn’t have been able to get in even with a VIP band. Incidentally, even my “plan B” for that time slot got foiled for the same reason. They’re coming around next month, and I won’t miss it this time.

93MillionMilesFromTheSun — Fall Into Nothing

6)93MillionMilesFromTheSun — Fall Into Nothing
This is the fourth album by the melodic shoegaze trio from Doncaster, South Yorkshire, England. The album came out in May, but I didn’t get it until a few months later. As much as I liked their earlier stuff, this one really hit me hard. It was all I could listen to for about a month. It’s worth pointing out that they also released an EP of Ride covers this year, and it’s quite good. In a connected way, this album reminds me so much of that period of time when Ride was riding the wave of Nowhere and things were going really well for them. Before Britpop forced them and other UK shoegazers to adapt their sound to whatever it was that NME and Melody Maker would write favorable things about. Before even the label bosses made their shoegaze bands write Britpop stuff. This reminds me of the real Ride.

That’s it for today. Tomorrow, I should finish the countdown, and then do a recap on Thursday.

About dlee

North Carolina born and bred. I'm a restaurant guy who spends free time listening to music, watching hockey and playing Scrabble. I have a bachelor's degree in political science and I will most likely never put it to use. View all posts by dlee

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